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This is a widely held belief for numerous people that sharing custody a canine companion after a breakup is a recipe for trouble. Experts frequently claim such situations hinder ex-partners from finding closure, cause practical headaches, lead to tension, and are a nuisance across the board. As it turns out, as a development worthy of a direct-to-platform film, it also makes the canine in question to experience sadness.

Not to downplay the inner life of our pets – pet parents observe their deep emotional capacity. For a standout portrayal in dog sorrow, simply recall a past film. It seems certain that a dog such as Merv, a spirited little dog played by the canine actor Gus, would have a hard time adjusting to divided living arrangements. If this concept a full holiday film on this conflict is sustainable seems rather doubtful.

Standard Holiday Fare

Fairness demands noting, Merv, written by the writing duo and under the guidance of playwright Jessica Swale, makes no grand claims more profound than what it is. It functions as a Christmas movie from a streaming platform giant – the depth are modest. The narrative proves to be uncomplicated: exes Russ, played by Charlie Cox and Anna (Zooey Deschanel), realizing that their individual funk is surpassed by their dog's, embark on a therapeutic trip to a dog-friendly resort. At this location, predictably, they will surely rediscover the idea that they are better together. The supporting cast – featuring Chris Redd, Jasmine Mathews, and others – serve as the usual assortment of types. Its aesthetic has the quality of a streaming service original, with a Christmas setting that is clearly manufactured – exemplified by fake snow clinging to lush pines as a warm climate doubles as a cold December city.

The Canine Charisma

If these standard ingredients come together into something enjoyable depends on the execution and an acceptance of comfort viewing. On the latter point, Merv knows its audience – individuals who scroll endlessly for dog videos. Audiences receive a series of canine-centric sequences. The main attraction is Merv himself, and even if it causes some awkward editing between what the dog does and human reaction, the movie does offer dog beach fun, dog depression, and, ultimately, pure puppy happiness.

The Human Element

This level of success does not extend for the interpersonal drama. The tone shifts uneasily between emotional depth, zany antics, standard rom-com beats, and physical comedy, not quite landing a consistent feel. The fault lies not with Charlie Cox, who is admirably committed the humiliating and funny inherent in the bizarre setting. Cox exhibits a likable self-deprecation that offers much of the film's charm for this ostensibly perfect couple. Her co-star Deschanel, as is her trademark, injects a distinctive offbeat energy that will be to your taste or not. The character comes across as a little too aloof, notably when alongside Cox's heartfelt sincerity. (It should be noted, the canine performer is convincing at acting depressed – he may not be the award-winner from Anatomy of a Fall, he is still an excellent dog.)

The story strives to give weight to the central romance for moments when the dog is absent – a regrettable choice, given that the title character is easily the best part of this feel-good picture. As one might predict, it achieves only baseline competence. The reason for their original breakup would feel more adult and realistic with greater exploration and less blunt explanation. Ultimately, Merv is gentle and pleasant, fulfilling precisely what you anticipate. Making a film about dog co-parenting isn't a bad idea – though it's hardly a brilliant concept.

• Merv streams on Amazon Prime Video on December 10th.